【返回首页/索引页】

..............
  It is my conviction that technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, as Porpora clearly understood, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible.
..............
此部分共[8]页:  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>
〖The Path to Virtuosity by Ricardo Iznaola(精湛技巧练习路径)〗
  Level III Nos. 29-37
    Exercise No. 29: Extension and Contraction of the Right-Hand in Arpeggio Technique (cont.)(琶音技巧中的右手扩展与收缩)
    Exercise No. 30: Chromatic Octaves (Conclusion)(八度半音音阶)
    Exercise No.31: Two Octave Major Scales(2个八度大调音阶)
    Exercise No.32: Left Hand Slurs(cont.) (左手圆滑音)
    Exercise No.33: Left Hand Slurs(cont.)
    Exercise No.34: Left Hand Slurs(cont.)
    Exercise No.35: Left Hand Slurs(cont.)
    Exercise No.36: Left Hand Extension(cont.)
    Exercise No.37: Left Hand Shifts(cont.)(左手移指)
  Level IV Nos. 38-47
    Exercise No.38: Arpeggio Technique(cont.)(琶音技巧)
    Exercise No.39: Chromatic 5ths and Minor 3rds(纯五度与小三度的半音爬行)
    Exercise No.40: Two Octave Melodic Minor Scales(2个八度旋律小调音阶)
    Exercise No.41: Chromatic Scales(半音阶)
    Exercise No.42: Left Hand Slurs(cont.)
    Exercise No.43: Left Hand Slurs(cont.)
    Exercise No.44: Left Hand Slurs(cont.)
    Exercise No.45: Left Hand Slurs(cont.)
    Exercise No.46: Left Hand Extension(cont.)
    Exercise No.47: Left Hand Shifts(cont.)
  Level V Nos. 48 - 58
    Exercise No.48: Tremolo Technique(Beginning)(轮指技巧)
    Exercise No.49: Chromatic Major 3rds, 4ths, Augmented 4ths/diminished 5ths(大三度,纯四度,增四度/减五度的半音爬行)
    Exercise No.50: Three-Octave Major Scales (E to G)(E-G之间各大调3个八度的音阶)
    Exercise No.51: Three-Octave Melodic Minor Scales(e to g)(e到g之间旋律小调音阶)
    Exercise No.52: Chromatic Scales (cont.)(半音阶)
    Exercise No.53: Slurs (cont.)(圆滑音)
    Exercise No.54: Slurs(cont.)(圆滑音)
    Exercise No.55: Slurs(cont.)(圆滑音)
    Exercise No.56: Left-Hand Extensions(cont.)(左手扩展)
    Exercise No.57: Left-Hand Shifts(cont.)(左手移指)
    Exercise No.58: Left-Hand Shifts(cont.)
  Level VI Nos. 59 - 68
    Exercise No.59: Tremolo Technique (Conclusion)(轮指技巧)
    Exercise No.60: Minor and Major 6ths(小六度与大六度音程的半音爬行)
    Exercise No.61: Three-Octave Major Scales (Ab to B)(Ab到B的3个八度大调音阶)
    Exercise No.62: Chromatic Scales(cont.)(半音阶)
    Exercise No.63: Slurs: Upper Voice Trills above Base Line(带伴奏低音的圆滑音)
    Exercise No.64: Left Hand Slurs and Shifts(左手圆滑音与移指)
    Exercise No.65: Left Hand Extensions (cont.)(左手扩展)
    Exercise No.66: Left Hand Shifts(cont.)(左手移指)
    On Harmonics(关于泛音)
    Chart of Harmonics for the open 6th String(6弦空弦不同品位的泛音表)
    Exercise No.67: Natural Harmonics (Beginning)(自然泛音)
    Exercise No.68: Chromatic Scale in Artificial Harmonics(人工泛音半音阶)
此部分共[8]页:  1>>  2>>  3>>  4>>  5>>  6>>  7>>  8>>
〖The Path to Virtuosity by Ricardo Iznaola(精湛技巧练习路径)〗


Copyright:www.guitardyg.com@2009-2018