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.............. It is my conviction that technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, as Porpora clearly understood, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. .............. 此部分共[8]页： 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Path to Virtuosity by Ricardo Iznaola（精湛技巧练习路径）〗 封面 Technical Workout Manual for all Guitarists The Author Acknowledgements and Dedication Nature, in order to be commanded, must be obeyed. -- Francis Bacon TABLE OF CONTENTS（目录） Prologue（序） Organization of the Exercises（练习的组织与分类安排） Guidelines for Daily Practice（Appendix I)—日常练习提示 Special Effects Procedures, Etc(Appendix II)—特别针对性练习 Further Suggestions for Practice—其它一些练习建议 Key to Symbols and Terminology（记谱方法、符号与术语） Author's Note（编者的话） Level I （Preparatory）: Exercises. 1-20（一级：预备练习） Exercise No.1: Basic Positioning & Articulation of Right-Hand（练习1：基本姿势及右手拨弦-1 Exercise No.2: Basic Positioning & Articulation of Right-Hand (cont.)（练习1：基本姿势及右手拨弦-2 Exercise No.3: Basic Positioning & Articulation of Right-Hand（练习3：基本姿势及右手拨弦-3 Exercise No.4: Articulation of Right-Hand（练习4：右手拨弦练习） Exercise No.5: Articulation of Right-Hand (cont.)（练习5：右手拨弦练习） Exercise No.6: Basic Positioning & Articulation of Left-Hand Exercise No.7: Basic Positioning & Articulation of Left-Hand(cont.) Exercise No.8: Basic Positioning & Articulation of Right-Hand(cont.) Exercise No.9: Basic Positioning & Articulation of Left-Hand(cont.) Exercise No.10: Positioning & Articulation of Left-Hand(cont.) Exercise No.11: Three Note Chords（三条空弦同时拨弦练习） Exercise No.12: Preparation of the Left-Hand for Scale Playing（音阶练习的左手预备） Exercise No.13: Introduction to Arpeggio Playing（琶音练习） Exercise No.14: Preparation of the Left-Hand for Chordal Positioning: Preparation for the Barre（左手同时按弦练习，横按的预备练习） Exercise No.15: Alteration of p,i,m with a（p,i,m与a指的交替练习） Exercise No.16: Alteration of p,i,m with a (cont.), Introduction to Double Notes（p,i,m与a指交替练习, 双音） Exercise No.17: Introduction to Four-Note Chords（4音和弦练习） Exercise No.18: Preparation of the Left-Hand for Slurs(Pull-Outs)（左手圆滑音预备练习） Exercise No.19: Prepation of the Left-Hand for Slurs(cont.) Exercise No.20: Preparation of the Left-Hand for Slurs(cont.) (Pull-outs and hammer-ons) Level II Nos. 21-28 Exercise No.21: Extension and Contraction of the Right Hand（右手扩展与收缩练习） Exercise No. 22: Introduction to the Chromatic Octave Scale（八度半音音阶） Exercise No. 23: Chromatic Octaves (cont.) Exercise No.24: One-Octave Scale in teh First Position（第一把位1个八度音阶） Exercise No. 25: Left-Hand Slurs （左手圆滑音） Exercise No. 26: Left-Hand Slurs (cont.) Exercise No. 27: Extension of Left Hand（左手扩展） Exercise No. 28: Left-Hand Shifts 此部分共[8]页： 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Path to Virtuosity by Ricardo Iznaola（精湛技巧练习路径）〗
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