〖The Path to Virtuosity by Ricardo Iznaola（精湛技巧练习路径）〗

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　　It is my conviction that technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, as Porpora clearly understood, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible.
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〖The Path to Virtuosity by Ricardo Iznaola（精湛技巧练习路径）〗
RICARDO IZNAOLA
　　One of the most attractive personalities of the guitar world, Ricardo Iznaola pursues a brilliant musical career through many paths. Born in Havana, Cuba, in 1949, his activities as performer, composer, pedagogue, lecturer, writer and occasional orchestral conductor have been distinguished by international critical acclaim and the admiration of colleagues and audiences alike.
　　Mr. Iznaola's concerts throughout Europe, Japan, North and South America have brought him prominence as concert artist, with numerous broadcast performances for the BBC, Spanish National Radio and Television, Japanese Television, Venezuelan National Radio, National Public Radio (US), etc.
　　Equally prominent as a teacher ("bold, original and unconventional", according to the British journal Classical Guitar), Mr. Iznaola is chairman of the Guitar Department at the University of Denver's Lamont School of Music, where he also founded and directs the annual International Guitar Week Festival.
　　As performer and composer, Iznaola has won eight top prizes in eight international competitions. His numerous LP and CD albums include world-premiere recordings of major works like the legendary Sonata by Antonio Lauro or the 1933 Sonata by Antonio Jose which he rediscovered and brought to light. His daring approach to the art of guitar transcription has produced breath-taking results, as in his renditions of Ravel's Alborada del Gracioso or De Falla's Ritual Fire Dance, never before attempted for solo guitar.
　　World-renowned double-bass virtuoso Gary Karr has said of these arrangements: "It's sheer genius how he formulated his transcriptions and I shouldn't imagine there are many guitarists today who can play these dazzling arrangements". American critic Jon Tuska of Classical Magazine wrote "...Breath-taking... A technical wizardry which I have not heard from another instrumentalist except for the best of Heifetz and Horowitz".
　　Ricardo Iznaola's Kitharologus: The Path to Virtuosity is the necessary introduction to the physical preparation required by the playing mechanism to achieve the levels of virtuosity associated with his name.
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〖The Path to Virtuosity by Ricardo Iznaola（精湛技巧练习路径）〗