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.............. It is my conviction that technique is made up of a limited number of procedures with an unlimited number of applications. Therefore, as Porpora clearly understood, a sound technical methodology is not one that tries to cover all possible forms of a given procedure, but rather one that identifies and trains the essential mechanism which makes the procedure, in all its forms, possible. .............. 此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Path to Virtuosity by Ricardo Iznaola(精湛技巧练习路径)〗 Organization of the Exercises(练习的分类组织方式) Kitharologus introduces a classification of guitar technique in seven technical categories (listed below). Taken as a whole, these seven categories form a technical cycle, which establishes a complete training regimen that can be used as a regular routine for technical maintenance. 1.Right Hand Formulae: a) Arpeggios b) Tremolos c) Rasgueados d) Repeated chords 2.Double Notes 3.Scales 4.Slurs 5.Extensions - Contractions 6.Shifts 7.Harmonics: a) natural b) artificial The material in the book is distributed over nine levels of proficiency, progressing in difficulty from level one, preparatory, to level nine, advanced. Only when all the exercises in a level are mastered should the student proceed to the next level. The numerical order presents the material in a specific chronological sequence. Therefore the exercises should be learned first in their original numerical order. Thereafter, the exercises will be practised according to the guidelines in Appendix I (see below). Thus while exercise No. 19 must be learned before attempting No. 20, once both are well-assimilated the order in which they are practised might not follow the initial chronology. 此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖The Path to Virtuosity by Ricardo Iznaola(精湛技巧练习路径)〗 |
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