【返回首页/索引页】 |
Author's Preface ........ The guitar of Villa-Lobos opened up new paths in musical expression. Without doubt, through a surprising process of self teaching, he created an innovative technique that could not have been learnt in an academy, and also a personal technique, original because of its truthfulness, its message, its humanity and its life........ 此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖Abel Carlevaro -- Guitar Masterclass -- Vol. 2 -- Technique Analysis and Interpretation of 5 Preludes by Heitor Villa Lobos(卡雷瓦洛吉他大师课--维拉罗伯斯的5首前奏曲技巧分析与音乐表现)〗 Foreward(Cont.) He chose the human voice to educate his people: Brazilians know how to sing, they have it in their blood, it is part of their sonorous world; this is why he worked for so long towards educating the masses through choir singing. Today perhaps he would have chosen the guitar as it synthesises the drive of that great country while being as popular a manifestation as the human voice. In Rio he assembled choral concentrations aimed to prove the enormous socialising power of music. These united the voices of tens of thousands of schoolchildren in a single event. He invited me to the "Conservatorio de Canto Orfeonico", which he directed, where I attended a rhythm class that employed a large number of folk instruments [some of African heritage] brought by him from Indian villages throughout the country. These instruments were used to develop certain aspects of music while deepening the understanding of the Brazilian soul. At one time, Villa-Lobos also remarked that he was unable to write Brazilian music. He needed fresh inspiration that would lead him away from European constraints. Therefore he decided to tour the enormous expanse of his country in order to gain first-hand knowledge of the different forms of folk music and instruments. On his return he declared that Brazilian music, the music of his people, finally flowed through his veins. These travels through a land of dreams were certainly one of his life's most fruitful experiences. He did not overlook one detail. The strong sense of nationalism that made him more and more united with his people can be found at all times within his music. This nationalism together with the expressive drive and exuberant potential of his creation certainly constitute the maestro's finest achievements. 此部分共[8]页: 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 〖Abel Carlevaro -- Guitar Masterclass -- Vol. 2 -- Technique Analysis and Interpretation of 5 Preludes by Heitor Villa Lobos(卡雷瓦洛吉他大师课--维拉罗伯斯的5首前奏曲技巧分析与音乐表现)〗 其它相关链接: 古典吉他曲-维拉罗伯斯的第1号前奏曲(Villa-Lobos' Prelude No.1, classical guitar ) 〖Abel Carlevaro -- Guitar Masterclass -- Vol. 3 -- Technique, Analysis and Interpretation of 12 Studies by Heitor Villa Lobos (维拉罗伯斯的12首高级练习曲技巧与演奏分析)〗 〖Heitor Villa-Lobos 12 Studies(维拉罗伯斯12首高级练习曲)〗 〖维拉.罗伯斯十二首高级练习曲(Villa Lobos Etudes,五六线对照)〗 |
Copyright:www.guitardyg.com@2009-2018 |