〖Abel Carlevaro -- Guitar Masterclass -- Vol. 2 -- Technique Analysis and Interpretation of 5 Preludes by Heitor Villa Lobos（卡雷瓦洛吉他大师课--维拉罗伯斯的5首前奏曲技巧分析与音乐表现）〗

Author's Preface
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　　The guitar of Villa-Lobos opened up new paths in musical expression. Without doubt, through a surprising process of self teaching, he created an innovative technique that could not have been learnt in an academy, and also a personal technique, original because of its truthfulness, its message, its humanity and its life........
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〖Abel Carlevaro -- Guitar Masterclass -- Vol. 2 -- Technique Analysis and Interpretation of 5 Preludes by Heitor Villa Lobos（卡雷瓦洛吉他大师课--维拉罗伯斯的5首前奏曲技巧分析与音乐表现）〗
Foreward(Cont.)
　　An artist has numerous ways of finding his personal path. If we look to the past when the cultural environment was less complicated, with fewer schools and tendencies, it can be realised that it was easier then for an artist to shape his destiny. There was even a time in history in which his career was predetermined by the coherent cultural unity that surrounded him. The aspiring musician of the Middle Ages was not faced with the problem of choosing a school of thought, he only needed to learn his craft. During the Renaissance, a student was supposed to be part of a philosophy rather than the seed that would lead towards personal triumphs.
　　The increasing spread of musical knowledge and autonomy of instrumental music since the 18th century brought some diversification, but the existing cultural unity dictated a stable atmosphere.
　　The individualism that developed within 19th century bourgeois society, from which musicians could not escape, brought the dilemma of selection to composers. From then on differences in style developed and groups tended to separate. This was a serious problem for Latin American musicians who went to Europe to study and had to choose a certain school, because at that time they lacked an autochthonous language they could safely call their own. It would become Villa-Lobos' task to construct this idiom but, in order to do so, he had to follow many paths.
　　I was lucky to become acquainted with Heitor Villa-Lobos during my youth: first in Montevideo where I played the guitar in his presence, later in Rio de Janeiro during a concert tour of Brazil, and finally in Paris. He told me that music should head towards a different goal, that musical education at the beginning of the century had been far from ideal. Private conservatories, badly oriented and deficient, he quipped, were in charge of raising "household" pianists. He believed in vocation and will and that the real musician would overcome adversities and triumph over inefficient methods through talent and grim determination. He used to comment that the people of Brazil needed a firmer musical education, one that took popular idiosyncrasy into account.
此部分共[8]页： 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>>
〖Abel Carlevaro -- Guitar Masterclass -- Vol. 2 -- Technique Analysis and Interpretation of 5 Preludes by Heitor Villa Lobos（卡雷瓦洛吉他大师课--维拉罗伯斯的5首前奏曲技巧分析与音乐表现）〗