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  Do not practice mistakes. Go slow enough that you almost never make a mistake.
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〖A Complete System for Understanding the Fretboard by Barrett Tagliarino(吉他指板知识)〗 
Frequently Asked Questions
Why do I need to draw diagrams and say all this stuff out loud? Why can't I just play?
  I'm telling you to draw and describe fretboard shapes because I want you to learn them FAST. By themselves, scales, chords, and arpeggios are nothing but exercises and will bore you. The sooner you learn these basics, the sooner you will start playing real music that excites you. Attempting to play music of any sophistication without these fundamentals will likely lead to frustration.
What if I don't think I did it right?
  The answers are included in the back of the book. It is impossible to cheat, so look there anytime.
  Hey! You left out...?
  Many possible fingerings are not included in the book. You are encouraged to draw more diagrams than are included here. By the last ten chapters, the possible number of shapes for scales, chords, and arpeggios becomes astronomical. The goal of this book is that by the time you finish what's here, you will be able to visualize the correct locations for anything you may encounter or imagine.
How should I practice playing these shapes?
  Once you have memorized one of the fundamental fretboard shapes, play it in time with a metronome set to a slow tempo (50-60 beats per minute). If you have not played extensively with a metronome, the odds are that your timing is bad. Let me rephrase that: If you are a human being, your timing is bad and you need to practice with a metronome.
  For scales and arpeggios, it will be clear how to practice with a metronome. Play them up and down in eighth notes: two notes for every click of the metronome. For the intervals and chords, it is most productive to play a few of them in sequence to keep your brain and fingers working. Practice them in whole notes (one chord for every four clicks] or half notes (one chord for every two clicks}.
Here are a few important guidelines for practicing:
  Practice intensely with no distractions for very short time periods, and as often as you can. 15-minute practice sessions twice daily are a good place to start.
  Isolate material into the smallest possible pieces you can learn and take them one at a time. Do not try to learn two new things at once.
  Make a clean mental imprint of new information without touching your guitar at first. Take your time and learn it right the first time. Avoid going back to the book to see it again.
  Practice the same material until it is committed to long-term memory. This usually takes at least two weeks. Keep a log so you know how long you've been working on each new shape.
  Do not practice mistakes. Go slow enough that you almost never make a mistake.
  Be patient with yourself. How long it takes is how long it takes.
  Congratulate yourself for each small accomplishment. A positive mental attitude is essential to help you keep going.
此部分共[6]页:  1>>  2>>  3>>  4>>  5>>  6>>
〖A Complete System for Understanding the Fretboard by Barrett Tagliarino(吉他指板知识)〗

其它相关链接
吉他学习-吉他指板上的各调音阶
吉他新手学习—吉他指板上各位置的音名及推导(Pitch names on the guitar fret board )
学习指板上音级应掌握的规则


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