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¡¡¡¡ The classical guitar has the amazing ability to produce expressive melodies, complex chords, flowing arpeggios, and multiple, independent parts simultaneously - all with just six strings. It offers an incredible range of tonal possibilities as well, and it's able to create a broad range of colors and textures, from driving percussive rhythms to sweetly lyrical melodies - and everything in between.

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¡¼ Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (¹Åµä¼ªËûÈëÃÅ)¡½¡¡
¡¡¡¡Part III: Improving Your Technique
¡¡¡¡¡¡¡¡Chapter 8: Flat-Fingered Fretting with Barres
¡¡¡¡¡¡¡¡¡¡¡¡Discovering How to Play Barres
¡¡¡¡¡¡¡¡¡¡¡¡Practicing Barres in a Musical Context
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces with Barres
¡¡¡¡¡¡¡¡Chapter 9: Getting a Smooth Sound with Slurs and Trills
¡¡¡¡¡¡¡¡¡¡¡¡Connecting Your Notes with Slurs
¡¡¡¡¡¡¡¡¡¡¡¡Fluttering a Note with a Trill
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces Using Slurs and Trills
¡¡¡¡¡¡¡¡Chapter 10: Coloring Your Sound with Tone-Production Techniques
¡¡¡¡¡¡¡¡¡¡¡¡Creating Tones That Ring like Bells: Harmonics
¡¡¡¡¡¡¡¡¡¡¡¡Varying the Tone with Vibrato
¡¡¡¡¡¡¡¡¡¡¡¡Brightening or Darkening Your Sound by Changing Timbre
¡¡¡¡¡¡¡¡¡¡¡¡Tremolo: The Classical Guitar Machine Gun of Sorts
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces Using Tone-Production Techniques
¡¡¡¡¡¡¡¡Chapter 11: Scaling the Musical Ladder beyond Second Position
¡¡¡¡¡¡¡¡¡¡¡¡An Introduction to the Scales and Skills in This Chapter
¡¡¡¡¡¡¡¡¡¡¡¡Scales That Stay in 5th Position
¡¡¡¡¡¡¡¡¡¡¡¡Scales That Stay in 9th Position
¡¡¡¡¡¡¡¡¡¡¡¡Scales That Require Shifting Positions
¡¡¡¡¡¡¡¡¡¡¡¡Playing Some Pieces Using Scales up the Neck
¡¡¡¡¡¡¡¡Chapter 12: Combining Arpeggios and Melody
¡¡¡¡¡¡¡¡¡¡¡¡Grasping the Combination in Context
¡¡¡¡¡¡¡¡¡¡¡¡Going Downtown: Melody in the Bass
¡¡¡¡¡¡¡¡¡¡¡¡Moving Uptown: Melody in the Treble
¡¡¡¡¡¡¡¡¡¡¡¡Mixing Up Your Melodic Moves: The Thumb and Fingers Take Turns
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces That Combine Arpeggios and Melodies
¡¡¡¡¡¡¡¡Chapter 13: Combining Left-Hand Techniques While Playing up the Neck
¡¡¡¡¡¡¡¡¡¡¡¡Layering Melodies and Using Barres up the Neck: Counterpoint
¡¡¡¡¡¡¡¡¡¡¡¡Combining Melody and Accompaniment with Barres and Slurs up the Neck
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces up the Neck with Left-Hand Techniques
¡¡¡¡Part IV: Mastering Classical Guitar Repertoire
¡¡¡¡¡¡¡¡Chapter 14: Playing Pieces by the Guitar Greats
¡¡¡¡¡¡¡¡¡¡¡¡Getting Acquainted with the Master Guitar Composers
¡¡¡¡¡¡¡¡¡¡¡¡Music by the Spanish Composers
¡¡¡¡¡¡¡¡¡¡¡¡Music by the Italian Composers
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces by All the Master Guitar Composers
¡¡¡¡¡¡¡¡Chapter 15: Early Guitar Music from the Renaissance and Baroque Eras
¡¡¡¡¡¡¡¡¡¡¡¡An Overview of the Styles
¡¡¡¡¡¡¡¡¡¡¡¡Renaissance Composers
¡¡¡¡¡¡¡¡¡¡¡¡Baroque Composers
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces from the Renaissance and Baroque Eras
¡¡¡¡¡¡¡¡Chapter 16: The Guitar Comes of Age: The Classical, Romantic, and Modern Eras
¡¡¡¡¡¡¡¡¡¡¡¡The Classical Era: Mozart¡¯s Muse
¡¡¡¡¡¡¡¡¡¡¡¡Getting in Touch with Beethoven, the Classical Hopeless Romantic
¡¡¡¡¡¡¡¡¡¡¡¡Letting the Inside Out with the Romantics: Brahms
¡¡¡¡¡¡¡¡¡¡¡¡Dreaming with Debussy: Music Becomes Modern
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces from the Classical, Romantic, and Modern Eras
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¡¼ Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (¹Åµä¼ªËûÈëÃÅ)¡½¡¡


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