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¡¡¡¡ The classical guitar has the amazing ability to produce expressive melodies, complex chords, flowing arpeggios, and multiple, independent parts simultaneously - all with just six strings. It offers an incredible range of tonal possibilities as well, and it's able to create a broad range of colors and textures, from driving percussive rhythms to sweetly lyrical melodies - and everything in between.

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¡¼ Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (¹Åµä¼ªËûÈëÃÅ)¡½
¡¡¡¡·âÃæ
¡¡¡¡About the Authors
¡¡¡¡Dedication
¡¡¡¡Authors¡¯ Acknowledgments
¡¡¡¡Contents at a Glance
¡¡¡¡Table of Contents
¡¡¡¡Introduction
¡¡¡¡Part I: Getting to Know the Classical Guitar
¡¡¡¡¡¡¡¡Chapter 1: An Acoustic Guitar in a League of Its Own
¡¡¡¡¡¡¡¡¡¡¡¡Classical Guitar: One Term, Two Meanings, and a Bit of History
¡¡¡¡¡¡¡¡¡¡¡¡What a Classical Guitar Looks Like
¡¡¡¡¡¡¡¡¡¡¡¡How a Classical Guitar Is Physically Different from Its Peers
¡¡¡¡¡¡¡¡¡¡¡¡Beyond Physique: Other Unique Attributes of Classical Guitar
¡¡¡¡¡¡¡¡Chapter 2: Getting Ready to Play
¡¡¡¡¡¡¡¡¡¡¡¡Situating Yourself
¡¡¡¡¡¡¡¡¡¡¡¡Approaching the Strings with Your Hands
¡¡¡¡¡¡¡¡¡¡¡¡Tuning Up
¡¡¡¡¡¡¡¡Chapter 3: Deciphering Music Notation and Tablature
¡¡¡¡¡¡¡¡¡¡¡¡Knowing the Ropes of Standard Music Notation
¡¡¡¡¡¡¡¡¡¡¡¡Relating the Notes on the Staff to the Fretboard
¡¡¡¡¡¡¡¡¡¡¡¡Relishing the Usefulness of Guitar-Specific Notation
¡¡¡¡Part II: Starting to Play: The Basics
¡¡¡¡¡¡¡¡Chapter 4: One Note at a Time: Playing Simple Melodies
¡¡¡¡¡¡¡¡¡¡¡¡Practicing Notes on One String
¡¡¡¡¡¡¡¡¡¡¡¡Playing across Three Strings
¡¡¡¡¡¡¡¡¡¡¡¡Cruising through All Six Strings
¡¡¡¡¡¡¡¡¡¡¡¡Flowing through Melodic Pieces Using All Six Strings
¡¡¡¡¡¡¡¡Chapter 5: Rolling the Notes of a Chord: Arpeggio Technique
¡¡¡¡¡¡¡¡¡¡¡¡Playing the Notes of an Arpeggio: The Basics
¡¡¡¡¡¡¡¡¡¡¡¡Working Your Way across the Strings: The Thumb and Fingers in Order
¡¡¡¡¡¡¡¡¡¡¡¡Varying Your Right-Hand Strokes
¡¡¡¡¡¡¡¡¡¡¡¡Adding Harmony to Select Notes
¡¡¡¡¡¡¡¡¡¡¡¡Playing Pieces with Arpeggios
¡¡¡¡¡¡¡¡Chapter 6: Practicing Scales in First and Second Position
¡¡¡¡¡¡¡¡¡¡¡¡Introducing Scales, the Necessary Evils
¡¡¡¡¡¡¡¡¡¡¡¡Playing Major Scales in 1st Position
¡¡¡¡¡¡¡¡¡¡¡¡Playing Minor Scales in 1st Position
¡¡¡¡¡¡¡¡¡¡¡¡Playing Scales in 2nd Position
¡¡¡¡¡¡¡¡¡¡¡¡Applying Scales in Simple Pieces
¡¡¡¡¡¡¡¡Chapter 7: Exploring Musical Textures
¡¡¡¡¡¡¡¡¡¡¡¡Coordinating Contrapuntal Music: Layered Melodies
¡¡¡¡¡¡¡¡¡¡¡¡Melody and Accompaniment: Using All Your Fingers
¡¡¡¡¡¡¡¡¡¡¡¡Playing Easy Pieces in Different Textural Styles
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¡¼ Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (¹Åµä¼ªËûÈëÃÅ)¡½¡¡


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