〖 Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (古典吉他入门)〗

　　 The classical guitar has the amazing ability to produce expressive melodies, complex chords, flowing arpeggios, and multiple, independent parts simultaneously - all with just six strings. It offers an incredible range of tonal possibilities as well, and it's able to create a broad range of colors and textures, from driving percussive rhythms to sweetly lyrical melodies - and everything in between.

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〖 Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (古典吉他入门)〗　　
Conventions Used in This Book
　　We take care to introduce concepts and define terms so that you don't have to wonder what we're talking about if we, for example, use the word staccato (which tells you to play notes short and detached, by the way). But we observe certain conventions that we may not explain every time, so following is a list of concepts and terms that we use often throughout the book.
　　* Up and down, high and low: When we speak of up and down on the guitar - whether we're referring to the strings, neck positions, or pitch in general - up means higher in pitch and down means lower in pitch. So the higher strings are the skinny, high-pitched ones - even though they're closer to the floor as you hold the guitar in the playing position.
　　Going up the neck means heading for the higher-numbered frets (toward the bridge), even though they're slightly closer to the floor than the lower-numbered frets, which are closer to the headstock. Don't be confused by this seeming contradiction of musical direction and physical positioning; knowing which way is up becomes second nature when you begin playing.
　　Right hand and left hand: We say right hand to mean the hand that plucks the strings and left hand to mean the hand that frets the notes on the neck. Left-handed players sometimes flip the guitar so that the right hand becomes the fretting hand, and some method books avoid any ambiguity by using the terms picking hand and fretting hand. But we find that a little clunky, so we observe the more traditional use of right hand and left hand. If you're a southpaw who flips, take note!
　　Letters and numbers: In addition to the standard music symbols that appear on the five-line staff, we often use letters and numbers to show you specific ways to use your fingers to play the notes. The letters p, i, m, and a indicate the right-hand thumb and index, middle, and ring fingers. (The letters stand for the Spanish words for these fingers.) For left-hand fingers, we use small numbers placed just to the left of the note heads: 1 = index, 2 = middle, 3 = ring, and 4 = little. In many cases we provide fingerings because it's the only way to play the passage, so try our way first before searching for an alternative.
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〖 Classical.Guitar.Dummies by Michael Pilhofer and Holly Day (古典吉他入门)〗　