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    Students who are learning to interpret and perform music should no longer be concerned with technique, reading music, or memorization. Instead, they must learn to concentrate on the music itself.
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  〖Aaron Shearer -- Learning The Classic Guitar Part III(学习演奏古典吉他)〗
Preface
  Although at first it may appear that interpretation and performance development have little in common, they're actually very closely linked. First, they're the only areas of guitar study which center upon the emotional aspects of playing music: In interpretation, students must learn to organize and convey to the listener their emotional response to music - in performance development, they must leant to deal positively with the excitement of playing for others. Further, both interpretation and performance require a secure foundation in technique, reading music, and memorization.
  But there's another more subtle yet important similarity. By the time students learn to play short pieces with confidence and security, they've acquired the habit of concentrating mainly on the mechanical aspects of playing. Both interpretation and performance, however, require an entirety different focus of concentration. Students who are learning to interpret and perform music should no longer be concerned with technique, reading music, or memorization. Instead, they must learn to concentrate on the music itself.
  As in all other areas of guitar study, students will progress more quickly and easily in interpretation and performance development if they're provided with secure basic concepts. Once these concepts become habitual, each student will then have a foundation of confidence from which to share the warmth of his or her personality with others. Thus, interpreting and performing music are the ultimate rewards for patient, diligent, and well-directed study.
  Aaron Shearer Winston-Salem, N.C.
  
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  〖Aaron Shearer -- Learning The Classic Guitar Part III(学习演奏古典吉他)〗


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