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......... Paradox: they are, at one and the same time, a point of arrival and departure. This paradox is explained by the fact that the scale is axiomatically the most elementary of musical models and the one least involved in the interpretative (or 'emotional') aspect of music: in other words, it is seen as an abstraction and, for this very reason, considered the most suitable tool for daily practice in technique. ........ 此部分共[2]页：  1>>  2>> 〖Scales for Guitar（吉他音阶） -- Leo Brouwer / Paolo Paolini〗 THE PARADOX OF SCALES 　　Diatonic scales covering the full range of the instrument are exercises in virtuosity. For scales to be performed proficiently (with 'fine tone', swiftly, smoothly and fluently etc.), they require the very technique they are conventionally expected to form. Paradox: they are, at one and the same time, a point of arrival and departure. This paradox is explained by the fact that the scale is axiomatically the most elementary of musical models and the one least involved in the interpretative (or 'emotional') aspect of music: in other words, it is seen as an abstraction and, for this very reason, considered the most suitable tool for daily practice in technique. 　　It is true that the scale, as it appears in the traditional didactic models, is an abstraction. In musical works throughout history we may find countless examples of scale movement, though perhaps none in which a stepwise sequence of notes starts from the lowest note (of a given key), climbs up to the highest and then returns to the lowest. 　　It is not true that a scale is a simple exercise. On the contrary, the performing skills required are complex (by simple we mean an exercise that limits itself to presenting a single difficulty, which can thus be tackled with full understanding; by complex we mean an exercise that presents a number of difficulties: in such cases, one must first analyze and identify the difficulties and subsequently tackle them, first separately [elementary models] and then progressively in combination with one another [models of progressive complexity]). 此部分共[2]页：  1>>  2>> 〖Scales for Guitar（吉他音阶） -- Leo Brouwer / Paolo Paolini〗

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