〖FREDERICK NOAD——The Classical Guitar(古典时期吉他音乐)〗

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〖The Classical Guitar(古典时期吉他音乐)〗　　
About The Composers（古典时期的吉他作曲家）-续
　　The other leading figure of the period was the Italian Mauro Giuliani, whose compositions and performances earned him the respect of leading musicians of the time and who, with Sor, may be considered a prime influence in establishing a level of serious professionalism for the guitar. Whereas Sor's popularity was mainly centered in Paris and London, Giuliani reigned as the outstanding guitar virtuoso of Vienna, where he established himself in 1806 and remained until 1819. An extensive and interesting chronicle of his life there, including concert reviews, details of his association with Beethoven, Moscheles, Hummel and others is included in Thomas Heck's The Birth of the Classic Guitar and Its Cultivation in Vienna, Reflected in the Career and Compositions of Mauro Giuliani (d. 1829). (Doctoral dissertation, Yale University 1970. University Microfilms, Box 1307, Ann Arbor, Michigan 48106). As a composer Giuliani was more prolific than Sor, his published compositions with opus numbers reaching 151 compared to the former's less than 70. His personality seems to have been somewhat mercurial, and having apparently saved little from his successful years he died, as did Sor, in comparative poverty.
　　Dionisio Aguado (1784-1849) was born in Madrid and studied the guitar under Padre Basilio (Miguel Garcia). In common with Sor and Giuliani he was interested in the reform of notation for the guitar, and in the introduction to his Escuela de Guitarra of 1825 cites even his own teacher as one of those who were "less fortunate in manifesting on paper that which they practised with their hands."
　　In 1825 Aguado visited Paris, some say expressly for the purpose of meeting Sor for whom he had considerable admiration. His modest personality seems to have endeared him to his countryman, and they became firm friends in spite of having radically different views of technique. Aguado's style involved the use of nails and scales of great speed, a type of virtuosity usually associated with the popular guitarists of Andalusia. Sor, on the other hand, seems to have been more concerned with producing a round full sound, which is consistent with the melodic quality of his compositions. In spite of these differences the two resided for a time in the same house in Paris, and for his friend and himself Sor wrote the duet Les Deus Amis Op. 41.
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〖The Classical Guitar(古典时期吉他音乐)〗