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此部分共[9]页： 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 9>> 〖The Classical Guitar(古典时期吉他音乐)〗 Preface（前言） This book represents the completion of a four year task, much of the time having been spent in locating and studying original editions or manuscripts. As a player I have been frequently irritated by the discrepancies between "revised" editions of famous guitar pieces; this research has provided the answer to many speculations about what the composers actually wrote. The editions in this book are not revised, but are reproductions of original or early publications. Fingering has been added because for every player who would like to see an unfingered Vrtext edition, there are a hundred who expect fingering. However in many of the works, particularly Giuliani's, the fingering is implicit in the score from the form of slurring and other clues; thus the task becomes one of attempting to reveal, rather than create fingering. The only perfect score, in fact, exists in the mind of the composer. The minute he puts pen to paper the possibility of mistake begins, and this is further compounded as the manuscript is set by the engraver; so even a first edition is subject to, and frequently contains, small errors or imperfectly expressed intentions. In an imperfect world one can only do one's best, and at least I can reassure the reader that every effort has been made to present some of the best examples of a musical period unaltered by editorial revision. 此部分共[9]页： 1>> 2>> 3>> 4>> 5>> 6>> 7>> 8>> 9>> 〖The Classical Guitar(古典时期吉他音乐)〗
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