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此部分共[5]页：  1>>  2>>  3>>  4>>  5>> 〖The Guitarist's Guide to Composing and Improvising by Jon Damian（吉他即兴与创作指南）〗 　　The Open-Position Quartals 　　An Open-Position Quartal-Seed Study 　　Another Way to Learn Those Darn Seeds! 　　The Cluster Family 　　26 Template 　　Clusters from Sustained Scales 　　Clusters from Chord Symbols 　　Cluster Study with Rhythm Changes 　　Cluster Study in C 　　The Other Palette Chart Families 　　Harmonizing Bass Lines 　　A Simple Bass Melody for G7 　　The Lick on the A String 　　Some Strumming-Hand Variations with "The Lick" 　　Some More Harmonized Bass Line Possibilities 　　The Octave Family 　　Argentina Excerpt Using Octave Family 63 Seeds 　　Chapter Five: Form 　　Rosie For My Mother 　　"Rosie" and AABA Form 　　Working from the Standard Progression Form 　　"Falling Leaves" (With a Combination of Techniques) 　　Falling Leaves Inverted 　　Pure Shape Forms 　　The ll-V-ls of Life 　　Blueshape 　　Rows 　　Interval Rows 　　Monophonically 　　Polyphonically 　　Homophonically 　　Interval Row with Quodlibet on "Row, Row, Row Your Boat" 　　The Pandiatonic Interval Row 　　Children's Triptych 　　Story Form, Programmatic Form 　　"Mardi Gras" 　　Chapter Six: Foundations 　　Some Practice Points 　　The Studies 　　Fingerboard Templates 　　A Sales Pitch First 　　Scales 　　Cycle Scales 　　Ears One 　　Long Scales 　　Jaws Study 　　Zorro Scales 　　Zorro Scales in F Major 　　Ears One.5 For Along-the-Fingerboard Scale Awareness for Your Ears 　　Scale Reference Charts 　　Modes of Major Cross-Reference Chart 　　Modes of Major 　　Modes of Melodic Minor and Harmonic Minor 　　Symmetric Scales 　　Chord Scale Vamps 　　Interval Studies 　　Ears Two 　　Interval Cross-Reference Chart 　　Arpeggio Study 　　Chord Tones Reference Chart 　　More Ears! 　　Ears Three - For General Identification of Harmonic Sounds 　　The Incredible Time Machine Study 　　The Guitarist's Guide Crossword Puzzle Challenge 　　Coda 　　Bibliography 此部分共[5]页：  1>>  2>>  3>>  4>>  5>> 〖The Guitarist's Guide to Composing and Improvising by Jon Damian（吉他即兴与创作指南）〗

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