〖The Guitarist's Guide to Composing and Improvising by Jon Damian（吉他即兴与创作指南）〗

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〖The Guitarist's Guide to Composing and Improvising by Jon Damian（吉他即兴与创作指南）〗
　　首页
　　Table of Contents
　　CD Tracks
　　Foreword by Bill Frisell
　　Acknowledgements
　　Introduction
　　Getting Around
　　Notation Symbols
　　About the CD
　　Chapter One: The Basic Sound Dimensions
　　Dynamics（动态变化）
　　How Loud, How Soft, How Silent, How Close?
　　The Wind Guitar
　　Exploring Dynamic Range
　　Fireworks!
　　Fireworks! with a Bebop Motif
　　A Sound Scratchboard
　　Rhythm: When, Where ?
　　The Guitar in DrumMode
　　DrumMode Exercises
　　A Victim of DrumMode
　　The Metronome: Friend or Foe?
　　The Metronome as Our Barre
　　Pulse Study
　　The Magical Clap Study
　　Direction: Up, Down, The Same ?
　　Direction as a Compositional Resource
　　"Skee-Dap-M-Be-Bap"
　　"For Juliette"
　　Direction as an Improvisational Resource
　　The Coronation
　　Direction Study
　　G Blues Direction Study
　　Mime Study
　　Articulation: Sharp Sound, Round Sound
　　The Jazz and Blues Lyric School
　　Alphabet Study
　　Coda: Chapter 1
　　Shamisen Sam
　　Chapter Two: The Single-Note Line
　　The Simplest Melodic Line
　　Vamp No. 1
　　Pitch Motive Studies: A Transition to the Palette Chart. 33
　　C Major Scale through Diatonic Intervals
　　Vamp No. 2
　　"Eh-Tood-Ah in Thirds"
　　Adding Some Spice
　　Eh-Tood-Ah with Spice"
　　Melody Is Harmony
　　Catalysts
　　More Pitch Motif Studies
　　"D Minor Tune"
　　The 3-Note Motif
　　The Musical Rorschach Test
　　The Palette Chart for Single-Note Development
　　Palette Chart "Seeds" Orientation
　　Palette Chart Seeds through a C Major Scale
　　Vamp No. 3
此部分共[5]页： 1>> 2>> 3>> 4>> 5>>
〖The Guitarist's Guide to Composing and Improvising by Jon Damian（吉他即兴与创作指南）〗