〖Abel Carlevaro -- Guitar Masterclass -- Vol. 4 -- J.S. Bach Chaconne BWV 1004 （巴赫的恰空舞曲，BWV 1004）〗

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〖Abel Carlevaro -- Guitar Masterclass -- Vol. 4 -- J.S. Bach Chaconne BWV 1004 （巴赫的恰空舞曲，BWV 1004）〗
General Consideration　　
　　The present transcription is based on the original score for violin. My aim in transcribing the work is to conserve its original style and spirit, while adapting it comfortably to the present-day guitar. I am aware of the difficulties involved in bringing the work fully to life in both subject and spirit, and in aiming to provide concrete answers to the problems encountered through transcription thoughtful reconsideration of detail is necessary.
　　The Chaconne is a dance designed in variation form. Traditionally it is based on four measures in triple time and characteristically begins on the second beat. Its power derives from the insistent repetition of the original idea in numerous variations. These continuous variations, or transformations, are highly elaborate, yet never lose contact with the initial measures. The original idea is always present.
　　Bach was well acquainted with the resources of the bowed instruments of his day, and composed works which exploited their possibilities to the limit, even demanding polyphonic passages. Certainly the chords of three and four voices which he wrote are realized with great difficulty on the violin.
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〖Abel Carlevaro -- Guitar Masterclass -- Vol. 4 -- J.S. Bach Chaconne BWV 1004 （巴赫的恰空舞曲，BWV 1004）〗