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Playing a musical instrument such as the classic guitar is one of the most remarkable of human achievements. The sustained concentration and skillful movements required to play proficiently are probably unsurpassed by any other human endeavor. 此部分共[4]页： 1>> 2>> 3>> 4>> 〖Aaron Shearer --Learning The Classic Guitar (古典吉他学习，part I)〗 Head Pages Acknowledgments Contents Preface Introduction Using These Books The Classical Guitar "Classic" or "Classical" Guitar Guitar Structure Attaching The Strings Tuning the Guitar Playing Condition of the Guitar Determining the Action of a Guitar Choosing a Teacher Approaching Guitar Study Your Goal: Sharing Music Essentials for Performance Avoiding Habits of Confusion and Error Aim-Directed Movement Developing Sustained Concentration Guidelines for Study and Practice Summary The Four Principles of Efficient Muscle Function Summary Positioning the Guitar General Positioning The Five Ways of Moving the Guitar The Right and Left Hand Position Checks Adjusting Your Position An Alternative to Using the Footstand Alone Summary Tone Production Principles of Tone Production Tone Quality and Your Nails Nail Contours and Suggested Shapings Summary Beginning Right-Hand Training Terms and Symbols Right-Hand Positioning Rest-Stroke and Free-Stroke The Prepared Stroke Training P: The Prepared Free-Stroke Sounding the Strings The Continuity-Stroke Summary Beginning Left-Hand Training Before You Begin Left-Hand Positioning Left-Hand Movement Movement by Touch: Applying Aim-Directed Movement (ADM) Training the Right-Hand Fingers Training the Inactive Fingers The Prepared Rest-Stroke The Continuity Rest-Stroke Alternation of a Finger Rest-Stroke and P Free-Stroke Beginning Free-Stroke with Your Fingers Before You Begin Free-Stroke Considerations I-M Free-Stroke Tip Joint Considerations I-M and P Alternation I-M-A Free-Stroke I-M-A and P Alternation Sympathetic Movement P,I,M P,I,M-A P,I-M,A Alternation Introduction of Alternation Beginning Free-Stroke Alternation: P,I,M,I Left-Hand Considerations P,I,A Alternating I and M on Adjacent Strings Alternating I and M on a Single String Principles of String Crossing General Introduction Beginning String Crossing Clarity on Wound Strings Sounding a Single Note Free-Stroke on an Adjacent String M and A Alternation 此部分共[4]页： 1>> 2>> 3>> 4>> 〖Aaron Shearer --Learning The Classic Guitar (古典吉他学习，part I)〗
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