〖The Renaissance Guitar (文艺复兴时期的吉他音乐，Frederic Noad)〗

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〖The Renaissance Guitar (文艺复兴时期的吉他音乐，Frederic Noad)〗
Music for the Bandore and Lyra-Viol（三弦琴及里拉古提琴相关音乐作品）　　
　　The bandore (also bandora or pandora) was a metal-strung bass instrument of the cittern family. These instruments were characterized by a flat back and a rounder thinner body than the lute. The music was also written in tablature, and the tuning was comparable to the top five strings of the guitar, the bottom string being one tone lower than the fifth. The example given, "The Night Watch" by Anthony Holborne (p. 61), was chosen more because it was a good popular tune of the time than from a desire to include a work for this instrument, although the bandore was very popular in the instrumental combinations, or "consorts," of the period.　　
　　The lyra-viol was a member of the bowed viol family that was used more often for contrapuntal or chorded music rather than the single lines usually associated with these instruments. In fact, any bass viol could be used to play "lyra-way," but the music was customarily played on a slightly smaller instrument which would ease the stretch requirements for the left hand in making chords. After 1600 the increasing virtuosity of viol players appears to have given some challenge to the former supremacy of the lu-tenists. (See, for example, John Dowland's rather defensive introduction to his Pilgrim's Solace in 1612.) "Mr. Southcote's Pavan," the duet for two lyra-viols by Thomas Ford on p.H6,was chosen for the well-balanced and attractive interplay between the two instruments.
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〖The Renaissance Guitar (文艺复兴时期的吉他音乐，Frederic Noad)〗