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´Ë²¿·Ö¹²[7]Ò³£º 1>> 2>> 3>> 4>> 5>> 6>> 7>> ¡¼Guitar ALL-IN-ONE FOR Dummies(¼ªËûÈëÃÅ£©¡½ ¡¡¡¡Book III: Rock Guitar ¡¡¡¡¡¡¡¡Chapter 1: It¡¯s Only Rock Guitar, but I Like It ¡¡¡¡¡¡¡¡¡¡¡¡Differentiating Between Rock and Acoustic Guitar: It Ain¡¯t Just Volume ¡¡¡¡¡¡¡¡¡¡¡¡Guitar, Amp, and Effects: The Power Trio ¡¡¡¡¡¡¡¡¡¡¡¡Accessorizing Your Guitar ¡¡¡¡¡¡¡¡Chapter 2: All about Amplifiers ¡¡¡¡¡¡¡¡¡¡¡¡Following the Signal Chain ¡¡¡¡¡¡¡¡¡¡¡¡Taking a Guided Tour of the Amp ¡¡¡¡¡¡¡¡¡¡¡¡Plugging In and Turning On ¡¡¡¡¡¡¡¡¡¡¡¡Getting a Sound ¡¡¡¡¡¡¡¡¡¡¡¡Making Do If You Don¡¯t Have an Amp ¡¡¡¡¡¡¡¡¡¡¡¡Demystifying the Gizmology ¡¡¡¡¡¡¡¡Chapter 3: Playing Lead ¡¡¡¡¡¡¡¡¡¡¡¡Taking the Lead ¡¡¡¡¡¡¡¡¡¡¡¡Playing Single Notes ¡¡¡¡¡¡¡¡¡¡¡¡Starting at the Bottom: Low-Note Melodies ¡¡¡¡¡¡¡¡¡¡¡¡Going to the Top: High-Note Melodies ¡¡¡¡¡¡¡¡¡¡¡¡Playing in Position ¡¡¡¡¡¡¡¡¡¡¡¡Getting in Tune with Lower Register Riffs ¡¡¡¡¡¡¡¡¡¡¡¡Making It Easy: The Pentatonic Scale ¡¡¡¡¡¡¡¡¡¡¡¡Playing the Pentatonic Scale: Three Ways to Solo ¡¡¡¡¡¡¡¡¡¡¡¡Improvising Leads ¡¡¡¡¡¡¡¡Chapter 4: Groovin¡¯ on Riffs ¡¡¡¡¡¡¡¡¡¡¡¡Getting Your Groove On: Basic Riffs ¡¡¡¡¡¡¡¡¡¡¡¡Playing Two Notes Can Be Better than One: Double-Stops ¡¡¡¡¡¡¡¡¡¡¡¡Combining Single-Note Riffs and Chords ¡¡¡¡¡¡¡¡¡¡¡¡Discovering Your Own Style ¡¡¡¡¡¡¡¡Chapter 5: Playing Up the Neck ¡¡¡¡¡¡¡¡¡¡¡¡Beyond Open Position: Going Up the Neck ¡¡¡¡¡¡¡¡¡¡¡¡Playing Closed-Position Lead Patterns ¡¡¡¡¡¡¡¡¡¡¡¡Playing in Position ¡¡¡¡¡¡¡¡¡¡¡¡Using the Movable Pentatonic Scale ¡¡¡¡¡¡¡¡¡¡¡¡Seeking Out the Five Positions of the Pentatonic Scale ¡¡¡¡¡¡¡¡¡¡¡¡Changing Your Position ¡¡¡¡¡¡¡¡¡¡¡¡Knowing Where to Play ¡¡¡¡¡¡¡¡Chapter 6: Rock Guitar Legends, Styles, and Genres ¡¡¡¡¡¡¡¡¡¡¡¡Bo Diddley ¡¡¡¡¡¡¡¡¡¡¡¡Buddy Holly ¡¡¡¡¡¡¡¡¡¡¡¡Chuck Berry ¡¡¡¡¡¡¡¡¡¡¡¡John Lennon and George Harrison ¡¡¡¡¡¡¡¡¡¡¡¡Pete Townshend ¡¡¡¡¡¡¡¡¡¡¡¡Keith Richards ¡¡¡¡¡¡¡¡¡¡¡¡Eric Clapton ¡¡¡¡¡¡¡¡¡¡¡¡Jimi Hendrix ¡¡¡¡¡¡¡¡¡¡¡¡Jimmy Page ¡¡¡¡¡¡¡¡¡¡¡¡Carlos Santana ¡¡¡¡¡¡¡¡¡¡¡¡Stevie Ray Vaughan ¡¡¡¡¡¡¡¡¡¡¡¡U2¡¯ s The Edge ¡¡¡¡¡¡¡¡¡¡¡¡Tony Iommi ¡¡¡¡¡¡¡¡¡¡¡¡Ritchie Blackmore ¡¡¡¡¡¡¡¡¡¡¡¡Eddie Van Halen ¡¡¡¡¡¡¡¡¡¡¡¡Angus Young ¡¡¡¡¡¡¡¡¡¡¡¡David Gilmour ¡¡¡¡¡¡¡¡¡¡¡¡Alex Lifeson ¡¡¡¡Book IV: Blues Guitar ¡¡¡¡¡¡¡¡Chapter 1: Blues Meets Guitar: A Match Made in Heaven ¡¡¡¡¡¡¡¡¡¡¡¡Beyond the Delta: Defining the Blues Guitar Sound ¡¡¡¡¡¡¡¡¡¡¡¡Dissecting Acoustic and Electric Blues Guitars ¡¡¡¡¡¡¡¡¡¡¡¡What Your Guitar Needs to Get Your Blues Groove On ¡¡¡¡¡¡¡¡Chapter 2: Playing Blues Rhythm ¡¡¡¡¡¡¡¡¡¡¡¡Strumming Along ¡¡¡¡¡¡¡¡¡¡¡¡Mixing Single Notes and Strumming ¡¡¡¡¡¡¡¡¡¡¡¡Shuffling the Beats with Syncopated Strumming ¡¡¡¡¡¡¡¡¡¡¡¡Stopping the Strings from Ringing (Just for a Sec) ¡¡¡¡¡¡¡¡¡¡¡¡Copying the Classics: Plucking Fingerstyle Blues ¡¡¡¡¡¡¡¡¡¡¡¡Feels and Grooves: Different Rhythm Styles to Play ¡¡¡¡¡¡¡¡Chapter 3: Blues Progressions, Song Forms, and Moves ¡¡¡¡¡¡¡¡¡¡¡¡Blues by the Numbers ¡¡¡¡¡¡¡¡¡¡¡¡Recognizing the Big Dogs: Primary Key Families and Their Chords ¡¡¡¡¡¡¡¡¡¡¡¡The Structure of a Blues Song, Baby ¡¡¡¡¡¡¡¡¡¡¡¡Applying Structures to Keys ¡¡¡¡¡¡¡¡¡¡¡¡Accessorizing the 12-Bar Blues: Intros, Turnarounds, and Endings ¡¡¡¡¡¡¡¡¡¡¡¡High Moves ¡¡¡¡¡¡¡¡Chapter 4: Blues Riffs: The Bedrock of the Blues ¡¡¡¡¡¡¡¡¡¡¡¡Basic Single-Note Riffs ¡¡¡¡¡¡¡¡¡¡¡¡Double the Strings, Double the Fun: Double-Stops (Two-Note Riffs) ¡¡¡¡¡¡¡¡¡¡¡¡High-Note Riffs: The Bridge to Lead Blues Guitar ¡¡¡¡¡¡¡¡¡¡¡¡Mastering the Rhythm Figure ¡¡¡¡¡¡¡¡Chapter 5: Blues Genres: Acoustic, Electric, and Blues-Rock ¡¡¡¡¡¡¡¡¡¡¡¡Delta Blues: Where It All Began ¡¡¡¡¡¡¡¡¡¡¡¡The Piedmont Blues: Country Ragtime ¡¡¡¡¡¡¡¡¡¡¡¡Country and Folk Blues ¡¡¡¡¡¡¡¡¡¡¡¡Quintessential Blues: Slide Guitar ¡¡¡¡¡¡¡¡¡¡¡¡The Birth of Classic Electric Blues ¡¡¡¡¡¡¡¡¡¡¡¡Electric Blues¡¯ Sweet Home: Chicago ¡¡¡¡¡¡¡¡¡¡¡¡The Blues Sounds of Texas ¡¡¡¡¡¡¡¡¡¡¡¡Four Blues Giants: Three Kings and a Collins ¡¡¡¡¡¡¡¡¡¡¡¡Blues-Rock and Southern Blues ¡¡¡¡¡¡¡¡¡¡¡¡Blues in the 21st Century ´Ë²¿·Ö¹²[7]Ò³£º 1>> 2>> 3>> 4>> 5>> 6>> 7>> ¡¼Guitar ALL-IN-ONE FOR Dummies(¼ªËûÈëÃÅ£©¡½ |
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