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Welcome to Music Theory For Dummies!
What do you think of when you hear the phrase music theory? Does the image of your elementary school music teacher scowling at you from behind the piano pop into your head? Or perhaps a later image of fellow college students in theory classes determinedly trying to notate theremin whistles? If either of these ideas is anything close your own perception of what music theory is,then hopefully, this book will be a pleasant surprise.
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¡¼Music Theory For Dummies by Michael Pilhofer and Holly Day(ÒôÀÖÀíÂÛÈëÃÅ)¡½
¡¡¡¡·âÃæ½éÉÜ
¡¡¡¡About the Authors
¡¡¡¡Dedication
¡¡¡¡Authors¡¯ Acknowledgments
¡¡¡¡Contents at a Glance
¡¡¡¡Table of Contents
¡¡¡¡Introduction
¡¡¡¡¡¡¡¡About This Book
¡¡¡¡¡¡¡¡Whom This Book Is For
¡¡¡¡¡¡¡¡How This Book Is Organized
¡¡¡¡¡¡¡¡Icons Used in This Book
¡¡¡¡¡¡¡¡Where to Go from Here
¡¡¡¡Part I: Rhythm: Keeping the Beat
¡¡¡¡¡¡¡¡Chapter 1: What Is Music Theory Anyway?
¡¡¡¡¡¡¡¡¡¡¡¡How Will Theory Help My Music?
¡¡¡¡¡¡¡¡¡¡¡¡The Old Lady and the Yardstick
¡¡¡¡¡¡¡¡¡¡¡¡The Birth of Music and Theory
¡¡¡¡¡¡¡¡¡¡¡¡The Greeks: First Theorists
¡¡¡¡¡¡¡¡¡¡¡¡The Keyboard and Music Notation
¡¡¡¡¡¡¡¡Chapter 2: Counting Out Notes
¡¡¡¡¡¡¡¡¡¡¡¡Meet the Beat
¡¡¡¡¡¡¡¡¡¡¡¡Notes and Note Values
¡¡¡¡¡¡¡¡¡¡¡¡Whole Notes
¡¡¡¡¡¡¡¡¡¡¡¡Half Notes
¡¡¡¡¡¡¡¡¡¡¡¡Quarter Notes
¡¡¡¡¡¡¡¡¡¡¡¡Eighth Notes and Beyond
¡¡¡¡¡¡¡¡¡¡¡¡Dotted and Tied Notes
¡¡¡¡¡¡¡¡¡¡¡¡Mixing It All Up
¡¡¡¡¡¡¡¡Chapter 3: Giving It a Rest
¡¡¡¡¡¡¡¡¡¡¡¡Whole Rests
¡¡¡¡¡¡¡¡¡¡¡¡Half Rests
¡¡¡¡¡¡¡¡¡¡¡¡Quarter Rests
¡¡¡¡¡¡¡¡¡¡¡¡Eighth Rests and Beyond
¡¡¡¡¡¡¡¡¡¡¡¡Dotted Rests
¡¡¡¡¡¡¡¡¡¡¡¡Mixing It All Up
¡¡¡¡¡¡¡¡Chapter 4: Time Signatures
¡¡¡¡¡¡¡¡¡¡¡¡Meet the Staff
¡¡¡¡¡¡¡¡¡¡¡¡Simple Time Signatures
¡¡¡¡¡¡¡¡¡¡¡¡Compound Time Signatures
¡¡¡¡¡¡¡¡¡¡¡¡Asymmetrical Time Signatures
¡¡¡¡¡¡¡¡Chapter 5: Naturalizing the Rhythm
¡¡¡¡¡¡¡¡¡¡¡¡Stress Patterns and Syncopation
¡¡¡¡¡¡¡¡¡¡¡¡Pick-Up Notes
¡¡¡¡¡¡¡¡¡¡¡¡Irregular Rhythms: Triplets and Duplets
¡¡¡¡¡¡¡¡Chapter 6: Tempo and Dynamics
¡¡¡¡¡¡¡¡¡¡¡¡Taking the Tempo of Music
¡¡¡¡¡¡¡¡¡¡¡¡Dynamics: Loud and Soft
¡¡¡¡Part II: Melody: The Part You Hum
¡¡¡¡¡¡¡¡Chapter 7: The Musical Staff
¡¡¡¡¡¡¡¡¡¡¡¡The Clefs
¡¡¡¡¡¡¡¡¡¡¡¡Intervals, Half Steps, Whole Steps, and Accidentals
¡¡¡¡¡¡¡¡¡¡¡¡Finding the Notes on the Piano and Guitar
¡¡¡¡¡¡¡¡¡¡¡¡Tips on Remembering Notes
¡¡¡¡¡¡¡¡Chapter 8: Instrument Tone and Color
¡¡¡¡¡¡¡¡¡¡¡¡Tone Color
¡¡¡¡¡¡¡¡¡¡¡¡Building the Band: a Little Bit About Acoustics
¡¡¡¡¡¡¡¡¡¡¡¡Harmonics
¡¡¡¡¡¡¡¡Chapter 9: Half Steps, Whole Steps, Sharps, and Flats
¡¡¡¡¡¡¡¡¡¡¡¡Half Steps
¡¡¡¡¡¡¡¡¡¡¡¡Whole Steps
¡¡¡¡Part III: Harmony: Fleshing It Out
¡¡¡¡¡¡¡¡Chapter 10: Intervals
¡¡¡¡¡¡¡¡¡¡¡¡Harmonic and Melodic Intervals
¡¡¡¡¡¡¡¡¡¡¡¡Unisons, Octaves, Fourths, and Fifths
¡¡¡¡¡¡¡¡¡¡¡¡Building Intervals
¡¡¡¡¡¡¡¡¡¡¡¡Seconds, Thirds, Sixths, and Sevenths
¡¡¡¡¡¡¡¡¡¡¡¡Major and Perfect Intervals in the Major Scale
¡¡¡¡¡¡¡¡Chapter 11: Key Signatures and the Circle of Fifths
¡¡¡¡¡¡¡¡¡¡¡¡Pythagoras¡¯s Circle
¡¡¡¡¡¡¡¡¡¡¡¡The Circle of Fifths
¡¡¡¡¡¡¡¡¡¡¡¡Recognizing Major Key Signatures
¡¡¡¡¡¡¡¡¡¡¡¡Recognizing Minor Key Signatures and Relative Minors
¡¡¡¡¡¡¡¡¡¡¡¡The Key Signatures
¡¡¡¡¡¡¡¡Chapter 12: The Major and Minor Scales
¡¡¡¡¡¡¡¡¡¡¡¡Major Scale Patterns
¡¡¡¡¡¡¡¡¡¡¡¡Major Scales on Piano and Guitar
¡¡¡¡¡¡¡¡¡¡¡¡Listening to the Major Scales
¡¡¡¡¡¡¡¡¡¡¡¡Minor Scale Patterns
¡¡¡¡¡¡¡¡¡¡¡¡Listening to the Minor Scales
¡¡¡¡¡¡¡¡Chapter 13: Building Chords
¡¡¡¡¡¡¡¡¡¡¡¡Triads
¡¡¡¡¡¡¡¡¡¡¡¡Seventh Chords
¡¡¡¡¡¡¡¡¡¡¡¡Looking at All the Triads and Sevenths
¡¡¡¡¡¡¡¡¡¡¡¡Voicing and Inversion
¡¡¡¡¡¡¡¡Chapter 14: Chord Progressions
¡¡¡¡¡¡¡¡¡¡¡¡Diatonic Triads
¡¡¡¡¡¡¡¡¡¡¡¡Sevenths
¡¡¡¡¡¡¡¡¡¡¡¡Lead Sheets, Fake Books, and Tabs
¡¡¡¡¡¡¡¡¡¡¡¡Putting It All Together: Chord Progression
¡¡¡¡¡¡¡¡¡¡¡¡A Quick Word on Modulation
¡¡¡¡¡¡¡¡Chapter 15: Cadence
¡¡¡¡¡¡¡¡¡¡¡¡Authentic Cadences
¡¡¡¡¡¡¡¡¡¡¡¡Plagal Cadences
¡¡¡¡¡¡¡¡¡¡¡¡Deceptive Cadences
¡¡¡¡¡¡¡¡¡¡¡¡Half-Cadence
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¡¼Music Theory For Dummies by Michael Pilhofer and Holly Day(ÒôÀÖÀíÂÛÈëÃÅ)¡½


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